Batelco ad by FP7/BAH

Tattoos, guns, and underwear. I feel at home.

softerskins:

bruisedlabia:

I love this. Worsds cannot describe.

this photo+thigh tattoos on girls are so hot. 

(Source: christiancarrera)

Way Out West by Jacob Mooty

samanthali:

No essay or magazine article in the world can convey the stark divide between the extreme rich and the extreme poor as this photo does - taken of the Paraospolis Favela and Sao Paulo, Brazil. The photo is one of a series of amazing images showcased here on the deputydog blog.

Source: hyperempowered

This shows the social relationship of economy in space. It is the physical and visual representation of how we are divided into different classes; working class, middle class and upper class. It is the line of poverty (left) against wealth (right). Is this how our space should be used? Or should space be more integrated? Should space be defined by our income and working situations?

2 Chairs and a Tent by Jane Hilton

After the Gold Rush by Jane Hilton

The Lurkers by Stacy Kranitz

Old Regular Mountain by Stacy Kranitz

mikasavela:

7-Eleven ad from 1966.

Looking at this image today, is actually fairly odd, because it plays with the idea of a family having a picnic in front of a 7-Eleven outlet clearly designed to be reachable by car only. So in a way, the family is occupying the space normally reserved for cars?

zuloarkcollective:

#derechosurbanos: [URL] Sobre el derecho a reunirse, conivivir, manifestarse y expresarse en el espacio público

filosofiademonos:

No, es un chiste, desgraciadamente.
Así tienen lugar las asambleas en barna, rodeadas de mossos.
Vergüenza de país coño!

triangletriangle:

Alec Soth

Bersih 3.0 rally in Kuala Lumpur (via Polis) Photo Source: Kevin Loh on Facebook

“Cartoneros in Buenos Aires make their livelihood sifting and transporting the material refuse of the city” (via faslanyc)

(Source: Wikipedia)

urbanbricolage:

Build an extra confortable “sofa” out of a public bench that is supposed to stop you from lying down on it… ;-)

(another good one by Florent Rivière)